The essential of perspective
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THE ESSENTIALS OF PERSPECTIVE
IVITH ILLUSTRATIONS
DRAIVN BY THE AUTHOR.
BY
M,
W. MILLER
Art of the Pennsylvania
Principal of the School of Industrial
Museum, Philadelphia
6^
DISCARD^ tJ.
1887
NEW YORK
CHARLES SCRIBNER'S SONS
ItHE
new YORK
[PUBLIC LIBRARY
475873
LtViO'i. »Ht TtLCEV Fi-NDATi;**.
A8TDR,
Copyright, 1887, by Charles Scribner's Sons
TROW'8
NO BOOKBINOrNQ COMPAN". NEW TORK.
(V\6l4-
PREFACE. book "
CALL
this little
The Essentials
of Perspective," because it it
seems to
me
that
it
contains as
much
I
I
information about the science of which
treats as the artist or the
draughtsman ever has occasion to
make
use
of,
except under the most unusual conditions. in the principles or possible applications of per-
do not claim to have discovered any new thing, either
spective science.
But
it
has occurred to me, as I
know
it
has occurred to
many
others with a similar ex-
perience in teaching drawing, that a book on perspective, which should be exhaustive enough to redeem the
study from the contempt with which extent, justified
it is
too often treated it by
artists
—an
estimate which
is,
to a considerable
by such presentations as far as possible,
of
as
ai-e
usually found in the " hand-" and " text-books " in difficulties common
use
— and yet
If,
fi'ee,
from the technical might be of use. which the
unscientific
mind
is
pretty sure
to encounter in the profounder treatises,
on glaucing through the book, some things are found to have been
left
out which are usually intro-
duced into a work of this this kind, I ask the reader to look twice before he finds fault
with the omission, as
I
weeding out of what have seemed, to me, unessential