Óperarios tarcila do amaral- ingês

Operários (Workers') Tarsila do Amaral.

“Operários”

About the work
The picture was painted in a Workers' moment Tarsila was linked politically to communism. In the early 30 Tarsila was in the Soviet Union and participated in meetings of the Brazilian Communist Party. At this time, the policy and theme of the work were present on the screen. The framework Tarsila do Amaral is a picture of the set of factory workers in Brazil. The overlapping faces refer to the mass of work and living conditions in cities. Different ethnicities are represented, with reference to migration from different parts of Brazil and the world to the cities. The expression of the workers represented is sadness, indifference, weariness. Represent the poor working conditions they face, and lack of perspective that prevails in the context of oppression the government of Vargas.
Tarsila do Amaral, history
Tarsila do Amaral was born in the September 1, 1886 in Hacienda San Bernardo, Capivari municipality, the State of Sao Paulo. Daughter of Joseph and Lydia Stanislaus do Amaral do Amaral Dias de Aguiar. Stanislaus was the granddaughter of Joseph Amaral; nicknamed "the millionaire" because of the immense wealth he accumulated opening farms in São Paulo. His father inherited considerable wealth and several farms in which Tarsila spent his childhood and adolescence. In 1933 he paints the picture "Workers" and begins to paint social in Brazil. The following year I participated in the Salon of Fine Arts. Lives with the writer Luis Martins for nearly twenty years in the mid-30s to mid-50s. From 1936 to 1952, working as a columnist in the Daily Associates. In 50 years back on "Brazil wood." Participates in the 1951 Biennial of Sao Paulo. In 1963 has a special room at VII Bienal de São Paulo and the following year cameo in the XXXII Venice Biennale. He died in Sao Paulo on January 17, 1973.

Curiosities:
1 - "Abaporu" was the most valuable Brazilian picture sold today. Its price reached