Interpretation and overinterpretation: world, history, texts
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One Place after Another: Notes on Site Specificity Author(s): Miwon Kwon Source: October, Vol. 80 (Spring, 1997), pp. 85-110 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/778809 Accessed: 19/01/2010 12:57Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.
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One Place After Another: Notes on Site Specificity*
MIWON KWON
Site specificity used to imply something grounded, bound to the laws of physics. Often playing with gravity,site-specific works used to be obstinate about "presence," even if they were materially ephemeral, and adamant about immobility, even in the face of disappearance or destruction. Whether inside the white cube or out in the Nevada desert, whether architectural or landscape-oriented, site-specific art initially took the "site"as an actual location, a