Andr Lepecki

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André Lepecki

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ANDRÉ LEPECKI
André Lepecki (1965, Brazil) started his professional life as a cultural anthropologist writer for Portuguese newspapers and magazines, such as Diário de Notícias (1990/92) and Público (1991-95). Drawn into dance by friends-artists Francisco Camacho and Vera Mantero in 1989 he came to witness the surge of Portuguese dance, both as an insider in productions and soon as a critic for the weekly rock magazine Blitz (1990-1993).
André Lepecki is a curator, dramaturg, writer, and co-creator based in New York city. He is currently Associate Professor in Performance Studies at New York University where he teaches courses on critical theory, continental philosophy, performance studies, dance studies, and experimental dramaturgy. He graduated in cultural anthropology at the New University of Lisbon. He was a post-graduate fellow at the Center for Sociological Studies at New University of Lisbon between 1990-3. He obtained his Masters in Arts degree in 1995 and his Doctorate in 2000 both at New York University. In the Fall of 2000 he joined the Department of Performance Studies at NYU as an Assistant Professor. In 2006 he was promoted to tenured Associate Professor. Lepecki has received grants and scholarships from the Gulbenkian Foundation, the Luso-American Foundation, and the Rockefeller Foundation (as a member of the team "Conversations in Choreography"). In the 1980s he was dramaturg for Vera Mantero and João Fiadeiro. In the 1990s he was dramaturg for Meg Stuart and Damaged Goods, and also for Francisco Camacho. He co- directed with Bruce Mau the video- installation STRESS (MAK, Wien, 2000), and co-directed with Rachael Swain the video-installation proXy (Performance Space, Sydney, 2003). With Eleonora Fabião he co-created the performance series Wording (2004-6). In 2006 he directed for Haus der Kunst Munchen the only authorized re-doing of Allan Kaprow's 1959 work 18 Happenings in

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